Professional Sound Effects _ Royalty Free

BRAAMS, DOOM, and HARMONICS from SampleTraxx are all over my score to JIGSAW, the eighth movie in the SAW horror franchise. Huge and hi-fi, these sounds really added some weight and crunch when I needed it most. Highly recommended!

Charlie Clouser - Composer, SAW franchise

"I can't say enough about the creativity and instant usability of your sounds! Thanks so much for helping me quickly knock out so many over the last few months since discovering your sounds. They have been especially helpful for all the weekly TV dubs for Swamp Thing and Magnum, PI."

Jason Graves Composer

Another sonically stunning library from SampleTraxx!
The SampleTraxx libraries are a secret weapon in my and many other composers arsenal to add amazing sound to our scores.
Cinematic Zither does not disappoint

Don Bodin

Award winning composer and Tv Host @SampleLibraryReview.com

Out of all the sample packs out there, Doom brings fresh new ideas to the table, instantly usable!

Charles Deenen Sound Designer - Source Sound

Sampletraxx always delivers! I love the fact that the sounds are gritty and have an edge.
I use at least a few Sampletraxx sounds in every film I score

Oscar Fogelström Composer

Working on both a studio album and a feature score at the same time, I couldn't believe I found a tool I could use in both on the same day. Sonikscape completely changed the direction of the scene in the film I'm scoring and gave me the extra punch I needed in the album. It's is guaranteed to be a part of my arsenal from here on out

Chris Dudley - Electronics/Keyboards Underoath, Film Composer

What I love so much about SampleTraxx is that the sounds already sound great. You can drop them into a cue and they’ll work straight away. You don’t have to spend any time manipulating them to get them to sound good

Aaron Harris Composer, Sound Designer

Since I’ve first discovered SampleTraxx brilliant libraries, they have been a staple in both my trailer tracks as well as my game soundtracks. After initially purchasing the Bleed and Braams packs, I was thoroughly impressed by the superior quality of Alesandro’s samples as well as how easy it was to incorporate them in my compositions. The interface also makes it very easy to manipulate them in many ways and I have yet to load a patch that wasn’t useful. I couldn’t help myself and purchased all of them

Ariel Mann In House composer for Disney Imagineering

SampleTraxx is one of those amazing gems you find along the way, that trap you to the point where you can no longer live without them. For me, they are one of the companies with the best sound design on the market, with a myriad of high-quality impacts, aggressive and punchy braaams, granular drones, and vocal textures that inspire you from the first minute... A sound so brutal, futuristic and addictive, that it has become an essential element in my template

Ivan Torrent Composer

I always look forward to a new Sampletraxx pack to play with. They always deliver well curated, super tight sounds that work straight out of the box. The hits and slams are always huge, the distortion and Bramms ultra filthy and ripping stingers that will tear your face off

Si Begg Electronic music Producer, Composer, Sound designer

These libraries deliver what others promise, they are definitely unique. First of all, it’s the sound. When you hold the key for a hit, it’s not only a hit, it’s what comes after the hit. Something happens with the sound. I have a lot of hybrid sounds but if you hit a key I know what happens next with the sound. It’s like a good pop-song where you definitely know how the melody changes before it changes. But in these samples, something unexpected happens. What Sampletraxx created are not just damn good libraries, for me it’s art

Ingo Wegner Composer

The sample quality is top-notch. At FOX, I often use types of hits and DOOM is always present in my template

Stefano Maccarelli Senior Sound Designer Fox Group

I’m always very excited whenever there’s a new SampleTraxx release.. I buy it immediately without even needing to listen to the demos because I was so impressed with the first couple of packs. The sound design is just hands down insane, the creativity is amazing, and it sounds totally unique. It can be tough to find really original and interesting sounds that can kick start an entire new piece of music, but SampleTraxx definitely makes it look easy.

I’m also a big supporter of new companies that aren’t charging an arm and a leg for their releases and also give out nice little free pack as a treat. I think that’s some serious sample Karma, and they’ll always have my support

Danny Cocke Award-winning Composer and Sound Designer

SampleTraxx’s releases are unique and well-conceived.

They are extremely useful powerful sounds that never disappoint, every release has a theme, and it tuns throughout which makes them far more unique than a lot of other releases on the market.

They are a joy to listen to and work with!

Samuel Justice Sound Designer (Injustice 2, Battlefield 1)

Top-notch stuff here! Unique and creative sounds that provide plenty of inspiration. The sound quality is stellar and definitely in your face!

Daniel Lenzmeier Producer/Composer

X-Men: Apocaplyse, Captain America: Civil War, Ghostbusters

Ever since coming across SampleTraxx, I have been using them whenever I need a burst of inspiration and a fresh sound.
The textures are deep and rich, and the edginess of the hits and impacts will cut through any production.
Always excited for their next release

Joel Dean Composer The Divergent Series: Allegiant (trailer), Pele - IFC (trailer), Apple, Facebook, Lexus

I was looking for a great flute FX library, the production quality & unique beds in FantaFlute went above and beyond my expectations!

Jon Aschalew Ambient Music Designer (Transformers 4, Bourne Legacy, Fantastic Beasts)

DROPS 'n' BRAAMS
time-bending elements and sonic manipulation

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DANZA MACABRA
330+ elements of custom sound design out of real instruments

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SHOCKWAVE
150+ glitch, blast, ping, electric shock, flash, buzz, stutters

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RITUALS
550+ sound design elements for the modern horror trailer style and suspense score
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OLD BROKEN PIANO

An old piano manufactured have been tortured

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DOPESICK

Cinematic Stingers, Slams, hits, massive sonic clash

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BRAAMS

130 low-end musical tones, distant horns, massive low brass

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HARMONICS

Soundscapes based on a wide range of resonating metals

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